Plans for the institution’s five inaugural shows have been revealed
Colombia earthquake damaged 40 protected sites and dozens more cultural assets, report finds
The Colombian ministry of culture has compiled a preliminary report of damage to cultural sites in the seven departments closest to the 10 August earthquake’s epicentre, and in the Unesco-designated […]
Comment | Kyiv must not let bureaucracy destroy the culture that Russian drones have already damaged
After multiple assaults from Moscow, now the artist community Nahirna22 faces eviction
US National Gallery of Art acquires paintings, sculptures and photographs spanning five centuries
Works by Marie Bracquemond, Wifredo Lam, T.C. Cannon, Christina Quarles and many others are among the around 190 objects joining the collection
Donald Judd’s retrofitted Artillery Sheds in Texas to undergo extensive restoration work
The Chinati Foundation will carefully repair and weatherproof the Judd-modified buildings that house his 100 untitled works in mill aluminium
A guide to artist agents and consultancies
An A-Z of organisations and individuals that offer professional services to artists beyond traditional gallery representation
Online art competition raises millions for charity—and many questions
“The People’s Artist”, an online competition with Johnny Depp as its spokesperson, pulled in thousands of entrants with promises of an exhibition and magazine coverage
Competition invites children across the UK to reimagine Bayeux Tapestry’s lost panel
Winning primary school classes will receive a free trip to the British Museum in London to see the Bayeux Tapestry, as well as a funded visit to the Battle of […]
Sun, sea, sand—and art: luxury hotel in Crete commissions works in response to the island
The G. & A. Mamidakis Foundation has taken on the challenge of putting outdoor art in scorching Mediterranean conditions at the Minos Palace Resort
‘You can’t be burdened by a legacy’: James Taylor-Foster on his vision for Hong Kong’s Para Site as it turns 30
The new executive director says Hong Kong’s longest-running independent art space must widen access while rethinking what an independent institution can do in a transformed cultural landscape